Potato Chippers in Kenya

Total news: 3879392, selected 2 in 0.001 s. Posted for Sort by publication date | source | number Subscription or Test. Main differences. Paid access to polpred with top quality business information. Tell the library director about it. Dmitry Chernyakov's play "Eugene Onegin" was staged at the Vienna Opera On Saturday, October 31, the day when a farewell to the conductor Alexander Vedernikov, who died at the age of 56 from the coronavirus, took place in Moscow in a narrow circle, the play "Eugene Onegin" directed by Dmitry Chernyakov was staged in Vienna, the initial premiere of which was at the Moscow Bolshoi Theater in Vedernikov conducted in 2006. He was then the chief conductor of the Bolshoi. The Vienna premiere of the same production - Tomas Hanus conducted here - took place on October 25 and was greeted with a chorus of approval from critics and the public. Saturday's performance was the third. Two more were to take place Potato Chippers in Kenya , including on 3 November broadcast on the Internet and later shown on Austrian television. But two and a half hours before the curtain went up at the Vienna Opera, the Austrian government announced a second lockdown starting Tuesday. The cultural life of Austria again freezes. Chernyakov's production of "Eugene Onegin" in Vienna is part of the policy of the new director of the Vienna State Opera, Bogdan Roscic, to transfer to the Vienna stage acclaimed performances previously released on various European stages. As many as six such transfers are planned for the 2020-21 season. "Eugene Onegin" is one of them. And here a curious circumstance arises. If, looking from Moscow in 2006, this performance was perceived as radical, alien to tradition, and even scandalous, then, looking from Vienna in 2020, it is perceived as almost classical, closely tied to the music of Tchaikovsky, immersed in Russian tradition and filled with the "Russian spirit" . Especially after the inexpressive, flat, oversaturated Russian clichés like vodka and bearskins of the production of Falk Richter, which was staged in Vienna in recent years. We note in parentheses that for the Vienna Opera "Eugene Onegin" is a kind of shrine. But not as a dogma, but as a sign of innovation. In 1897, Tchaikovsky's "Eugene Onegin" became the first performance staged here by Gustav Mahler, the greatest reformer of the opera house, as soon as he became director of the Court Opera. With such a new and unusual opera for the Vienna stage, he marked his course for the renovation of the theater. Of course, even today it is not entirely clear why, in Chernyakov's production, the young master Lensky sings his famous aria "Where, where have you gone," sitting in a peasant coat and a cap with earflaps, and peasant songs at the beginning of the opera are sung at the table by ladies and gentlemen from society . But the main changes made by the director to the libretto - when Lensky takes to perform Triquet's couplets instead of the Frenchman, and the duel turns into a drunken "showdown" the next morning after the party - look extremely convincing. As well as the imaginary image of Onegin brought to pantomime in the scene of Tatyana's letter, and the way Olga is looking for her lost earring, while Lensky says goodbye to his love and life. And the huge oval table penetrating all the scenes is seen as a materialized symbol of a society that both unites people and separates them when they find themselves on opposite sides of it - here the mise-en-scenes are essentially a graphic expression of the psychological states of the characters and their relationships at every moment of the action. The second act, in which Onegin and Lensky quarrel at the Larins' ball and the duel takes place, is staged so excitingly that after it the third, St. Petersburg, sags somewhat. In a sense, the main advantage of Chernyakov's direction - and a phenomenon, one might say, unprecedented for the Vienna Opera (unlike, say, the Theater an der Wien, famous for its opera direction) - is the filigree spelling of all roles, including parts in the choir and extras. And here it is necessary to congratulate the Slovak Philharmonic Choir involved in this performance. He was attracted to participate in the Viennese "Eugene Onegin", probably because of the similarity of the Slavic pronunciation. And they got a team that, unlike the choir of the Vienna Opera, also knows how to play well and move on stage. In general, the Russian pronunciation was at the height of all the performers - both https://jiji.co.ke/280-potato-chipper